Monday, 16 December 2013


The 70s advert that I found is the Fiat Strada “Hand built by robots”, directed by Hugh Hudson. The advert illustrates how the Fiat Strada cars were built. It does this by showing how robots build the cars. This demonstrates the contextual influences of the time as robots had started to replace workers in factories. This can be seen by people protesting about robots taking their jobs at the time. Alongside this the whole premise of the advert is quite dull; as its quite a straightforward idea, but with the music and the camera work it gives the whole process a certain creative and coolness about it.

Furthermore another contextual influence is cinema at that time, as the advert shows robots constructing the car, and as Sci-Fi was popular in the 1970s as the first ever Star Wars movie; A New Hope had come out. Subsequently watching this advert would remind people of Star Wars as the way in which the advert has shown solely robots, giving it a Sci-fi appeal.  

The contemporary advert I found for Fiat is the Fiat Panda 2012 advert. The contextual influences for this advert are very different compared to that of the Fiat Strada Advert. As in modern context people need reasons to buy into a brand and with the Fiat Panda advert the ad demonstrates what the car offers you, and all the specifics of why it’s a good car to buy and own. The advert itself has a voiceover which is quite common in modern context as people want to be informed as well as entertained.

In comparison to the Fiat Strada 1979 advert, the Fiat Panda 2012 adverts are very different. The Starda advert is a lot more of an entertainment advert using the contexts of Sci-fi to influence its story where as the Panda advert is more modern as the contextual influences for this advert are more informative demonstrating how it is a practical car, how it is compatible for people and alongside this how it has twin air which slows carbon release. That last fact of the car is very illustrative of how modern context influence the advert as in modern context reducing your carbon foot print is very important; to a certain extent depending on the person.

However, similarities between the two are the fact that both show the car driving. In addition to this both show only the fiat car and not other cars. But overall the adverts; although both being the same brand are very different from one another.




http://www.autoexpress.co.uk/car-news/61495/9-fiat-strada-built-robots

janine.sykes@leeds-art.ac.uk

Wednesday, 11 December 2013

New York World Fair-Bernbach


The New York World Fair was an event that happened from 1939-1940. The fair itself promoted one of the last great metanarratives of the machine age. The machine age was the  unqualified belief in science and technology as a way to achieve economic prosperity and personal freedom. Because the fair promoted the last of the machine age, Bernbach would have felt a privilege to be promoting this event to the world; thus giving him great confidence and experience to continue with working in the advertising world.

 

One of the main themes of the World Fair was “The World of Tomorrow”. This was because the whole premise of the idea was created during the height of the depression to demonstrate what the “World of Tomorrow” will be like.

 

What were on display at the world fair were extraordinary pavilions and exhibitions. Alongside this there were the iconic Trylon and Perisphere structures which became symbols of the entire fair. The fair was a demonstration of what the future could hold and prospects of what tomorrow will be like.

 

The New York World Fair had 44 million people attend, seeing the possible idealistic image of the future. This once again illustrates that Bernach would have received credit and respect for promoting; although only being a ghost writer, such a well known and popular fair that achieved a massive amount of attention.

 

Further more on display at the fair were many forms of entertainment; for example marionette shows, thrill rides, girlie shows and choreographed aquatic extravaganzas, this allowed people to feel entertained and enjoy themselves in a time of great depression. Demonstrating how the fair offered a wide range of entertainment to fit all markets of people.

 

After promoting this fair, Bernbach achieved his first real advertising experience when he joined the William H. Weintraub ad agency; this demonstrates  that after working on the promotion of such a popular event; this opened doors for him and lead him to getting a advertising agency.


http://xroads.virginia.edu/~1930s/display/39wf/frame.htm

 

 http://www.moline-consulting.com/Reinventando/Pagines/zPM%20BERNBACH%20foto%20i%20bio.htm

 

 http://www.theatlantic.com/infocus/2013/11/the-1939-new-york-worlds-fair/100620/janine.sykes@leeds-art.ac.uk

Wednesday, 20 November 2013

Myth (ideology) in advertising

Holsten Pils - Werewolf (1978, UK)
Lager advert, linked with mythical creatures, such as werewolf's or mommies. In the advert the man who drinks the lager and says to werewolf, "you still taking the pils", this advert has mythological themes in it.











TV advert | Mickey's Magical Party (La Fête Magique de Mickey) | Disneyland Paris
This advert uses magic, which is mythical, millions of helium balloons travel to children and give them invites to Disneyland Paris.


The promotion of desperate house wives season 6. This illustrates how mythical themes are used in advertising, as you can see  in this picture the women in this programme are depicted as ancient warriors.


Wednesday, 13 November 2013


Find an ad of your own and deconstruct it, write about semiotics-semiotics, how signs work together to create differing meanings.

The advert I have chosen is Holidays are coming - Coca-Cola Christmas. It was made in the 1995.

The advert itself is about the Coca Cola Lorries driving along the roads, going past people’s houses and parks in quite a rural area; and lighting up the area as they drive past, giving the place a Christmas feel. The Advert itself is a perfect example of how a Christmas advert should be. The fact the Lorries are red shows how semiotics can be used to symbolize Christmas; as Coca Cola changed the colors of Santa Claus. Furthermore Coca Cola are notoriously known for using red. This shows how they have used semiotics to symbolize the coming of Christmas, by using Coca Colas own colors and combining it with the season to advertise Coca Cola.

Subsequently the advert uses semiotics (the color red) to define the brand and link it with the context of their advertising. Alongside this the advert and brand have a universal demographic as the advert shows children and adults; and as Coca Cola itself is a well known, popular and respectable brand.

Alongside this the trucks are covered in Christmas Lights, this is another good use of semiotics in the advert as the Lights are a good symbol for Christmas, as covering the Lorries in lights and having them drive past areas and covering the areas in lights are symbolic of Christmas. Again this demonstrates how the semiotics in the advert coexist perfectly with the brand it illustrates how both go hand in hand together. Adding to this having an animation of Santa Clause drinking a Coca Cola bottle is a good use of semiotics in the sense that combining the two; Santa Clause and a glass bottle of Coke, it symbolizes happiness and Christmas, which coincide together nicely.
janine.sykes@leeds-art.ac.ukjanine.sykes@leeds-art.ac.uk

Wednesday, 6 November 2013

Jaguar In China


                                                      Jaguar in China

Word association

The main word China-Words associated to China, Great Wall, Dragons, Rice, big, crowded, popular, grand, and loud.

Word s which worked, Dragons, Great Wall, these words best represent china,

Animals could work to symbolise china and also England.

The scene opens with the wall of China. You see the Great Wall of China in all its glory from bottom of it to the top. It’s loud with the chatter of tourists and locals along the wall; it’s a busy day on the wall; thousands of people are walking along the wall.

 Suddenly a massive growl echoes the valley and the wall. Birds fly away, horses gallop off, and bulls run along with them.

Another growl erupts in the valley where the Great Wall is silent, still and calm. Everyone is silent, paused and looking around in confusion.  A third growl roars through the scene. A jaguar in all in its swagger leaps on the wall, with a proud stance. It leaps in the shape of the Jaguar logo on cars. It runs along the path of the wall, slick smooth and powerfully. 

All the people rush to the edges of the wall, to clear a path for the jaguar. The Jaguar runs past the people swiftly, looking from side to side at the people. The jaguar passes a British flag and roars once again, more loudly and fierce than the last time. Another roar erupts, however, this one not coming from the Jaguar. The Jaguar stops, looks around. In the sky in the distance you see something swirl around in the wind. Another scream of roars shatters the silence. The people looked confused and slightly scared.

The Jaguar looks back at the thing flying in the wind; the Jaguar looks more closely and sees a dragon. The Jaguar looks directly in to the dragons eyes. The dragon looks magnificent, its coloured gold and red. The dragon sweeps down along the path on top of the wall towards the jaguar.

The jaguar runs, the dragon following, it looks like their racing. They then get side by side. Look into each other’s eyes. The dragon then intertwines with the jaguar, wrapping round the jaguar while they move. A bright spark of light emerges off the two animals as they start combining together. A blast of light and fireworks appear from the two. Smoke covers the entire wall.

Your hear a growl, and the brand new jaguar car emerges from the smoke and drives along the wall, everyone looks along the car, looking at all the details of it

The car smoothly, yet sharply stops, you here the engine rev. Then the car lights flash. All the people stood still burst into applause and start cheering and clapping. Fireworks go off in the background. It then goes black and your here a roar.

Monday, 4 November 2013

Evaluation

Research into the project was quite difficult because Gillette consistently release new razors. However, I overcame this challenge by looking into the model and the year. From gaining the information I was able to get an insight into the razor and the company. This helped me find what information needed to be used and how to sell the product. Adding to this research into the product gave me insight into how to sell the product and what the strengths and weaknesses of the product were.
Strengths of my work are that the product itself is quite easy to sell, as Gillette Razors only have one purpose; and that is to help men shave. This allowed me to explore numerous creative ideas, as the advert did not need to be very factual; simply just to emphasise a smooth shave with no “tugging and pulling”.  This benefitted me, as it gave me the opportunity to use different creative thinking methods, and experiment which worked best. Following this, because a strength was the product itself, I was able to use the Debono hat theory, Word Association and Animal Perspective to create ideas; this assisted me with coming up with ideas as there no need to include facts and figures.
 Strength of my research and advert is that my advert works well for the products demographic. For instance the fact that my advert symbolises the smoothness of the shave; also the fact I used men with beards in the advert so that the advert could appeal to people who don't shave. This is because my advert worked well for the typical norm demographic, which is men shaving. However, I also introduced a new demographic which was men with beards; subsequently this expanded my demographic.
Further strengths of the ad are that it is a moving metaphor. The advert symbolises smoothness. This is strength of the ad because it means that it is not dull, boring or overly factual, especially in comparison to the original. This gave the ad more of an edge and having an advert without words means that people will be more focused on what is happening. In addition to this another strength of my advert is that compared to other shaving adverts I’ve shown a man clean shaven and two men with beards, showing both views of men with beards and men without beards. This meant that my advert can attract all types of men and keep their interest. Adding this using the man to symbolise smoothness still carries across the message of the campaign which is a smooth shave, and having him not talk adds to the smoothness of him.
On top of this demonstrating how shaving helps your image shows strength in my advert. This is because I show the two men with beards not getting in, and this demonstrates the stereotype of smart, posh places. Therefore showing a man with a clean shave sliding in, expresses certain views of how looking smart may help you in ascertaining higher class functions.   
However, the point made in the previous paragraph could be viewed as a weakness, as the  stereotype of a clean shaven man being let into the building me over the two men with beards might offend some people. Therefore this can be seen as a weakness of my advert.
Another weakness of my advert is the fact that I did not mention “no tugging and pulling” which was a key selling point Gillette was trying to enforce. However, as my advert had no speech used, it weakens my advert in the sense that it is less informative.
Furthermore another weakness of my work is that a number of my first ideas were quite typical and cliché of shaving adverts. I found it difficult to break out of the norm for shaving adverts. This held me back at first as the ideas being created were not interesting or creative enough to be completely different to the original.
I do, however, believe the advert works. This is because my message of the Gillette Fusion ProGlide being a smooth shave is portrayed well in the advert as the man symbolizes my message. Subsequently this is why I believe that it works. Alongside this I feel that I have met the objectives. As the objectives were to make an advert which was uninspiring and develop a new proposition; one which is more creative; and after trying out many different creative techniques I achieved this with my new advert. However, the idea of using the man to symbolise smoothness may not come across to everyone; this may weaken the purpose of the advert.
Following this the message may not come across universally. As some may view the ad as me suggesting that shaving is cool and slick; which in one sense is a benefit of shaving. However, I was trying to show how the new razor itself provides the smoothest shave from Gillette. 
If I were to change it I may put a script along the bottom of the advert while it played. This would just inform people of the specialties of the new razor. As it was tested on 30’000 men, it is highly prized by P&G and the fact that Gillette sells 100 million razors in 75 countries each year. Facts like these may have helped the advert be a little more informative. However, doing this would have ruined the point of the advert and made it duller. But, a voiceover perhaps would have helped to describe what is happening and what the advert is representing.    

Overall, although there were certain flaws within my new proposition for Gillette fusion ProGlide; for instance the lack of facts and figures making the advert less informative. I do believe that my proposition worked appropriately for the message I was trying to convey. As although a lack of facts can be a weakness, it makes my new proposition more interesting and memorable as I’ve steered away from the cliché and norms of shaving product advertising. fabio.fragiacomo@leeds-art.ac.uk 

Evaluation

Research into the project was quite difficult because Gillette consistently release new razors. However, I overcame this challenge by looking into the model and the year. From gaining the information I was able to get an insight into the razor and the company. This helped me find what information needed to be used and how to sell the product. Adding to this research into the product gave me insight into how to sell the product and what the strengths and weaknesses of the product were.
Strengths of my work are that the product itself is quite easy to sell, as Gillette Razors only have one purpose; and that is to help men shave. This allowed me to explore numerous creative ideas, as the advert did not need to be very factual; simply just to emphasise a smooth shave with no “tugging and pulling”.  This benefitted me, as it gave me the opportunity to use different creative thinking methods, and experiment which worked best. Following this, because a strength was the product itself, I was able to use the Debono hat theory, Word Association and Animal Perspective to create ideas; this assisted me with coming up with ideas as there no need to include facts and figures.
 Strength of my research and advert is that my advert works well for the products demographic. For instance the fact that my advert symbolises the smoothness of the shave; also the fact I used men with beards in the advert so that the advert could appeal to people who don't shave. This is because my advert worked well for the typical norm demographic, which is men shaving. However, I also introduced a new demographic which was men with beards; subsequently this expanded my demographic.
Further strengths of the ad are that it is a moving metaphor. The advert symbolises smoothness. This is strength of the ad because it means that it is not dull, boring or overly factual, especially in comparison to the original. This gave the ad more of an edge and having an advert without words means that people will be more focused on what is happening. In addition to this another strength of my advert is that compared to other shaving adverts I’ve shown a man clean shaven and two men with beards, showing both views of men with beards and men without beards. This meant that my advert can attract all types of men and keep their interest. Adding this using the man to symbolise smoothness still carries across the message of the campaign which is a smooth shave, and having him not talk adds to the smoothness of him.
On top of this demonstrating how shaving helps your image shows strength in my advert. This is because I show the two men with beards not getting in, and this demonstrates the stereotype of smart, posh places. Therefore showing a man with a clean shave sliding in, expresses certain views of how looking smart may help you in ascertaining higher class functions.   
However, the point made in the previous paragraph could be viewed as a weakness, as the  stereotype of a clean shaven man being let into the building me over the two men with beards might offend some people. Therefore this can be seen as a weakness of my advert.
Another weakness of my advert is the fact that I did not mention “no tugging and pulling” which was a key selling point Gillette was trying to enforce. However, as my advert had no speech used, it weakens my advert in the sense that it is less informative.
Furthermore another weakness of my work is that a number of my first ideas were quite typical and cliché of shaving adverts. I found it difficult to break out of the norm for shaving adverts. This held me back at first as the ideas being created were not interesting or creative enough to be completely different to the original.
I do, however, believe the advert works. This is because my message of the Gillette Fusion ProGlide being a smooth shave is portrayed well in the advert as the man symbolizes my message. Subsequently this is why I believe that it works. Alongside this I feel that I have met the objectives. As the objectives were to make an advert which was uninspiring and develop a new proposition; one which is more creative; and after trying out many different creative techniques I achieved this with my new advert. However, the idea of using the man to symbolise smoothness may not come across to everyone; this may weaken the purpose of the advert.
Following this the message may not come across universally. As some may view the ad as me suggesting that shaving is cool and slick; which in one sense is a benefit of shaving. However, I was trying to show how the new razor itself provides the smoothest shave from Gillette. 
If I were to change it I may put a script along the bottom of the advert while it played. This would just inform people of the specialties of the new razor. As it was tested on 30’000 men, it is highly prized by P&G and the fact that Gillette sells 100 million razors in 75 countries each year. Facts like these may have helped the advert be a little more informative. However, doing this would have ruined the point of the advert and made it duller. But, a voiceover perhaps would have helped to describe what is happening and what the advert is representing.    

Overall, although there were certain flaws within my new proposition for Gillette fusion ProGlide; for instance the lack of facts and figures making the advert less informative. I do believe that my proposition worked appropriately for the message I was trying to convey. As although a lack of facts can be a weakness, it makes my new proposition more interesting and memorable as I’ve steered away from the cliché and norms of shaving product advertising.  

Evaluation


Research into the project was quite difficult because Gillette consistently release new razors. However, I overcame this challenge by looking into the model and the year. From gaining the information I was able to get an insight into the razor and the company. This helped me find what information needed to be used and how to sell the product. Adding to this research into the product gave me insight into how to sell the product and what the strengths and weaknesses of the product were.
Strengths of my work are that the product itself is quite easy to sell, as Gillette Razors only have one purpose; and that is to help men shave. This allowed me to explore numerous creative ideas, as the advert did not need to be very factual; simply just to emphasise a smooth shave with no “tugging and pulling”.  This benefitted me, as it gave me the opportunity to use different creative thinking methods, and experiment which worked best. Following this, because a strength was the product itself, I was able to use the Debono hat theory, Word Association and Animal Perspective to create ideas; this assisted me with coming up with ideas as there no need to include facts and figures.
 Strength of my research and advert is that my advert works well for the products demographic. For instance the fact that my advert symbolises the smoothness of the shave; also the fact I used men with beards in the advert so that the advert could appeal to people who don't shave. This is because my advert worked well for the typical norm demographic, which is men shaving. However, I also introduced a new demographic which was men with beards; subsequently this expanded my demographic.
Further strengths of the ad are that it is a moving metaphor. The advert symbolises smoothness. This is strength of the ad because it means that it is not dull, boring or overly factual, especially in comparison to the original. This gave the ad more of an edge and having an advert without words means that people will be more focused on what is happening. In addition to this another strength of my advert is that compared to other shaving adverts I’ve shown a man clean shaven and two men with beards, showing both views of men with beards and men without beards. This meant that my advert can attract all types of men and keep their interest. Adding this using the man to symbolise smoothness still carries across the message of the campaign which is a smooth shave, and having him not talk adds to the smoothness of him.
On top of this demonstrating how shaving helps your image shows strength in my advert. This is because I show the two men with beards not getting in, and this demonstrates the stereotype of smart, posh places. Therefore showing a man with a clean shave sliding in, expresses certain views of how looking smart may help you in ascertaining higher class functions.   
However, the point made in the previous paragraph could be viewed as a weakness, as the  stereotype of a clean shaven man being let into the building me over the two men with beards might offend some people. Therefore this can be seen as a weakness of my advert.
Another weakness of my advert is the fact that I did not mention “no tugging and pulling” which was a key selling point Gillette was trying to enforce. However, as my advert had no speech used, it weakens my advert in the sense that it is less informative.
Furthermore another weakness of my work is that a number of my first ideas were quite typical and cliché of shaving adverts. I found it difficult to break out of the norm for shaving adverts. This held me back at first as the ideas being created were not interesting or creative enough to be completely different to the original.
I do, however, believe the advert works. This is because my message of the Gillette Fusion ProGlide being a smooth shave is portrayed well in the advert as the man symbolizes my message. Subsequently this is why I believe that it works. Alongside this I feel that I have met the objectives. As the objectives were to make an advert which was uninspiring and develop a new proposition; one which is more creative; and after trying out many different creative techniques I achieved this with my new advert. However, the idea of using the man to symbolise smoothness may not come across to everyone; this may weaken the purpose of the advert.
Following this the message may not come across universally. As some may view the ad as me suggesting that shaving is cool and slick; which in one sense is a benefit of shaving. However, I was trying to show how the new razor itself provides the smoothest shave from Gillette. 
If I were to change it I may put a script along the bottom of the advert while it played. This would just inform people of the specialties of the new razor. As it was tested on 30’000 men, it is highly prized by P&G and the fact that Gillette sells 100 million razors in 75 countries each year. Facts like these may have helped the advert be a little more informative. However, doing this would have ruined the point of the advert and made it duller. But, a voiceover perhaps would have helped to describe what is happening and what the advert is representing.    
Overall, although there were certain flaws within my new proposition for Gillette fusion ProGlide; for instance the lack of facts and figures making the advert less informative. I do believe that my proposition worked appropriately for the message I was trying to convey. As although a lack of facts can be a weakness, it makes my new proposition more interesting and memorable as I’ve steered away from the cliché and norms of shaving product advertising.  

Monday, 28 October 2013

Wednesday, 9 October 2013

Marks in Time Exhibition


Marks in the Time Exhibition

Context of advertising practice

The Five M&S core principles are, Quality, Value, service, Innovation and trust.

These values are expressed through quality, for example during the world wars between 1920-1940; M&S made itself unique as they offered clothing that was well made but affordable. Alongside this M&S’s innovation helped the company during the war because during 1942-1952 there was a shortage of paper which meant that advertising was extremely difficult to do as it could not be carried out. However, M&S used window advertising. This allowed people to still see their company name. Furthermore their innovation continued as their carrier bags were one of the most important advertising techniques, as it got people seeing their brand.

M&S cleverly made the “Your M&S” logo and slogan which gave them a persona of a more trust worthy company. This advertising expresses the trust customers can have with M&S. The service M&S provided was quick and efficient, for example during the 1960s M&S created modern products, but got them from the laboratory to the stores quickly. This demonstrates that service was a key to M&S’ success in getting continuous loyal consumers. In addition to this, M&S promoted themselves as a brand catering for the whole family, this works well for advertising M&S and its service; as encouraging families to buy into the company helps provide regular customers.

In conclusion M&S five core principles have assisted the advertising for the company and having been around for 125 years they have created a loyal and trust worthy brand.

Deconstruction of advertising practice

The classy setting for the autumn 2007 ad was on a train heading towards Venice. This location was chosen to portray elegance, formality and style. The Ad shows that M&S offers fashion and clothing for a variation of women. The meanings that are expressed in this ad are that Marks and Spencer’s offers a style of class and suits women of different ages.

The concept of the “leading ladies” campaign hopes to communicate through its core values; the representation of the best of British. This is done by using a diverse group of women, who empower their particular fields. The women they have used communicate desire, through an aesthetic and talent appeal. This is because all the women they have used are stylish, talented and have intelligence in different areas. In addition to this the campaign concept hopes to communicate desire. This is because women viewing this campaign like the ascetic appeal of seeing classy, elegant and idealistic women wear this clothing, so people aspire to wear Marks & Spencer clothing. This is because women aspire in one sense to achieve the success these women have experienced. Alongside this, its target audience is women in careers, who still appreciate and want to wear stylish clothing. Subsequently this campaign gives women the chance to view women of different careers and styles wearing fashionable clothing that will suit this target audience. Furthermore one of the main core values is to represent that fundamentally all women are the same, regardless of profession, or achievement; and that women appreciate style, at a reasonable price.

The target audience of the “leading ladies” campaign was to appeal to 30s to 60 year old women, who like sophisticated and modern clothing.